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is a bit tense.

Have they gathered to watch me being fired? Is this some kind of how-to-fire-people training?

'Hello,' I say, trying to keep as composed as possible. But my face is hot and I know I look

flustered.

'Hi.' Jack's face crinkles in a smile. 'Emma… relax. There's nothing to worry about. I just

wanted to ask you something.'

'Oh, right,' I say, taken aback.

OK, now I'm totally confused. What on earth could he have to ask me?

Jack reaches for a piece of paper and holds it up so I can see it clearly. 'What do you think this

is a picture of?' he says.

Oh fucketty fuck.

This is your worst nightmare. This is like when I went for that interview at Laines Bank and

they showed me a squiggle and I said I thought it looked like a squiggle.

Everyone is staring at me. I so want to get it right. If only I knew what right was.

I stare at the picture, my heart beating quickly. It's a graphic of two round objects. Kind of

irregular in shape. I have absolutely no idea what they're supposed to be. None at all. They

look like… they look like…

Suddenly I see it.

'It's nuts! Two walnuts!'

Jack explodes with laughter, and a couple of people give muffled giggles which they hastily

stifle.

'Well, I think that proves my point,' says Jack.

'Aren't they walnuts?' I look helplessly around the table.

'They're supposed to be ovaries,' says a man with rimless spectacles tightly.

'Ovaries?' I stare at the page. 'Oh, right! Well, yes. Now you say it, I can definitely see a… an

ovary-like…'

'Walnuts.' Jack wipes his eyes.

'I've explained, the ovaries are simply part of a range of symbolic representations of

womanhood," says a thin guy defensively. 'Ovaries to represent fertility, an eye for wisdom,

this tree to signify the earth mother…'

'The point is, the images can be used across the entire range of products,' says a woman with

black hair, leaning forward. 'The health drink, clothing, a fragrance…'

'The target market responds well to abstract images,' adds Rimless Spectacle Guy. 'The

research has shown-'

'Emma.' Jack looks at me again. 'Would you buy a drink with ovaries on it?'

'Er…' I clear my throat, aware of a couple of hostile faces pointing my way. 'Well…

probably not.'

A few people exchange glances.

'This is so irrelevant,' someone is muttering.

'Jack, three creative teams have been at work at this,' the black-haired woman says earnestly.

'We can't start from scratch. We simply ca

Jack takes a swig of water from an Evian bottle, wipes his mouth and looks at her.

'You know I came up with the slogan "Don't Pause" in two minutes on a bar napkin?'

'Yes, we know,' mutters the guy in rimless spectacles.

'We are not selling a drink with ovaries on it.' He exhales sharply, and runs a hand through his

dishevelled hair. Then he pushes his chair back. 'OK, let's take a break. Emma, would you be

kind enough to assist me in carrying some of these folders down to Sven's office?'

God, I wonder what all that was about. But I don't quite dare ask. Jack marches me down the

corridor, and into a lift and presses the ninth-floor button, without saying anything. After

we've descended for about two seconds he presses the emergency button, and we grind to a

halt. Then, finally, he looks at me.

'Are you and I the only sane people in this building?'

'Um…'

'What happened to instincts?' His face is incredulous. 'No-one knows a good idea from a

terrible one any more. Ovaries.' He shakes his head. 'Fucking ovaries!'

I can't help it. He looks so outraged, and the way he says 'ovaries!' suddenly seems the

fu

looks astounded, and then his face kind of crumples, and suddenly he's laughing too. His nose

screws right up when he laughs, just like a baby's and somehow this makes it seem about a

million times fu